which correspond to the following conditions
1. The angle of incidence = angle of scattering.
2. The pathlength difference is equal to an integer number of wavelengths.
- Aluminum oxide
Electrical insulator
relatively high thermal conductivity
Trigonal, hR30
- Applications
Refractories, ceramics, polishing
Health and medical applications
Hard protective coating.
THE BIG BLUE
by
Luc Besson
Bob Garland
Marylin Golden
"God is at the bottom of the sea and
I dive to find him."
Enzo Maiorca
??
FADE IN:
EXT. GREEK ISLAND - SUNSET
CREDIT SEQUENCE:
The image is in black and white.
The sun disappears behind arid cliffs which cast giant
shadows on the sea.
A little boy around 8 years old -- tanned from head to toe
-- sprints along the cliffs, scrambles from one roc
ARCTIC BLUE
by Ross LaManna
FADE IN:
1 EXT. BOREAL FOREST - ALASKA - (AERIAL SHOT) - DAY
??
??
Flying. Not at the intangible height of a jet, but at
spitting distance from the treetops. Were in central
Alaska, the Big Lonely, just north of the Arctic Circle.
??
??
A thick forest follows the contours of mountain foothills
like a deep-pile carpet. Up at treeline the forest thins to
tundra, a grassy
Its magnified and deeply revealed. Flecks of green and yellow in a field of milky blue. Icy filaments surround the undulating center.
The eye is brown in a tiny screen. On the metallic surface below, the words VOIGHT-KAMPFF are finely etched. Theres a touch-light panel across the top and on the side of the screen, a dial that registers fluctuations of the iris.
The instrument is no bigger than a
Pitch black. Dead quiet. Dim faint light appears in the distance, approaching, growing larger. As the light nears, we recognize car headlights. Closer and closer until the car is bearing down upon us with great force. . .
2 INT. CAR 2
Two men in the front seat, FISHER and MOORE. Fisher drives. All seems quite normal until we take a closer look, sweat matts hair, dirt stains on white tuxedo shirts
The Misfits Script
Young man, do you have the time?
I got six clocks, and none of them work.
- Twenty after nine.
- After?
Its twenty after, dear. Darlin?
- Five minutes. What about you?
- Im all set. I just ironed my sling.
- The lawyer said . sharp, darlin.
- OK.
I hope youre not the miserly kind.
Its brand-new.
She ought to get a very good price for it.
Is that the right mileage? miles?
We onl
SPHERE
BY
PAUL ATTANASIO
Based on the novel by
Michael Crichton
BARRY LEVINSON VERSION SHOOTING SCRIPT
FADE IN:
EXT. OCEAN FLOOR - DAY
BEGIN TITLES.
MOVING AMONG the hallucinatory variety of creatures --
barbaric, distorted, sublime -- that haunt the ocean floor.
All but unknown to man except in the deep preconscious brain
that houses the family album of the race... Where we remember
that they ar
Naked Gun 2 1/2 Script
The Honourable Alan Dee
and former Mrs Easton.
The Honourable William
and Mrs Breslow.
The Honourable Nelson
and Mrs Winnie Mandela.
Ladies and gentlemen,
the President of the USA,
and Mrs Bush.
How is everybody?
Everybodys here! Look!
Hi, Peter.
Jack, glad you could make it.
Bill, hi.
Get rid of the beard. Too liberal.
Hi, Frank. Trudy.
Hi, Peter.
Glad you could make it.
E
SAM ACE ROTHSTEIN, a tall, lean, immaculately dressed man approaches his car, opens the door, and gets inside to turn on the ignition.
ACE: (Voice-over) When you love someone, youve gotta trust them. Theres no other way. Youve got to give them the key to everything thats yours. Otherwise, whats the point? And, for a while . . . I believed thats the kind of love I had.
(Suddenly, the car explode
Of glowing honey-colored stones. Their shapes ABSTRACT as THE CAMERA EXAMINES air bubbles and crystalline patterns.
MOVING UP AND OVER this amber abstraction, the CAMERA FINDS unusual shapes and imperfections caught in the glassy stone: flecks of dirt, hairs, cracks. STILL MOVING. STARBURSTS OF LIGHT ricochet off the different surfaces of the stones.
CAMERA TURNS along a creamy stretch of amber.